Wet Leg, and other indie bands whose novelty wore off fast

JUST because your band appeals to 6Music listeners doesn’t mean you’re more than a one-hit wonder. These bands found their fans’ loyalty did not stretch to a second album: 

Jet

Australian rockers with the denim and boots of far more talented bands who politely asked someone out on their only hit. That’s lasted, unlike the rest of their 70s cosplay that wore thin at record pace, along with their constant regurgitation of the only chords they ever learned. It must hurt when your song’s played at an indie night and nobody knows it’s you.

Wet Leg

Not much happens in the Isle of Wight. You might as well form a band. But while Chaise Longue was a welcome break from the rest of Radio 1’s playlist, their re-emergence as a five-piece was perhaps unwise given how many more mouths that is to feed from dwindling streaming royalties. Sorry, Wet Leg. Britain bores easily.

The Automatic

Short-lived act who made their mark with a song that’s a bit like The Gruffalo for NME readers. Monster is as irritating as you’ll recall, which makes for a better memory than their Kanye West cover version. Nobody’s giving him the songwriting money, even second-hand.

The xx

Once the incidental music behind every BBC link, each member clearly got as bored of their whispery plucks as the public did and moved on to far better solo careers. There’s only so many dinner parties you can soundtrack before realising you’re making lift muzak for the tasteful.

Electric Six

Ah the 00s, when listeners could still be briefly entertained by knob gags and men with pseudonyms singing in Scooby Doo voices. This Detroit act rode the slipstream of the White Stripes and had a hit about a gay bar which seemed provocative back then. Still tour the UK regularly. Like, twice a year at least. It would make a good occasion to drink to oblivion.

The Fratellis

Like The Krankies and The Proclaimers before them, these Scots knew that cheesy family fun could be a ticket to stardom and it f**king worked. They weren’t related, but hammed up a vague ‘Fratelli’ lore which didn’t make any sense and was completely ignored by a population that only knew Chelsea Dagger and absolutely drove it into the ground.

Supergrass

While Britpop was in-fighting inside its own arsehole, three cheeky lads popped up pretending to be the Monkees. They liked cigarettes, light hooliganism and heavy sideburns. Everything was not alright in the end. Got to open Glastonbury this year, still wearing goofy hats.

Sign up now to get
The Daily Mash
free Headlines email – every weekday
privacy

Grace Dent exposed as Grand Wizard of Ku Klux Klan

THE BBC is facing a fresh MasterChef controversy after it emerged that presenter Grace Dent is the Grand Wizard of the Alabama Ku Klux Klan.

The theoretically innocuous cookery show has been thrown into more turmoil after footage emerged of Dent in full regalia addressing a crowd of several thousand Klansmen in front of rows of burning crosses, although she says she has ‘no recollection’ of the incident.

BBC director general Tim Davie said: “F**king Grace. She said it was just a ‘social club’ where ‘like-minded people’ get together to ‘share views’.

“The producers should have realised when she came in still in the hood a couple of years ago, but she said it was just over-enthusiastic Covid masking and she definitely wasn’t a Deep South white supremacist.

“In her defence, she was never anything less than professional on set and never once suggested a lynching, even when a contestant’s red mullet ballotine was unacceptably overdone.”

In a statement Dent said: “At no point did the BBC bring up my Klan membership with me, nor is there any suggestion I discriminated against any contestants on any grounds other than the delectability of their raspberry meringues.”

She added: “The Guardian never made a fuss. They call it ‘diversity of viewpoint’.”