She's a waterfall, and other metaphors for women employed by singers trying to get laid

WHAT is she? Definitely not a groupie, no, she’s some form of flattering abstract noun and you’re prepared to elaborate if she takes her top off. These comparisons led to sex: 

[She’s a] Waterfall, The Stone Roses, 1989

She is apparently a waterfall, by which Ian Brown is unclear what he means to the point it makes no less sense backwards. He gives his true feelings away with ‘Free from the filth and the scum, This American satellite’s won’, showing it’s about a girl he wants to dump her knobhead boyfriend for Ian and his dodgy Sky box. Also Ian is in a band.

She’s a Rainbow, The Rolling Stones, 1967

Of course she is, it’s the 60s, colours are in. Adapted from his 1957 original She’s Drab Sepia. The opening line ‘She comes in colours everywhere’ implies the woman is an orgasmic, psychedelic flesh firework as all women desired to be back then, with long hair she combs.

She’s Like the Wind, Patrick Swayze and Wendy Fraser, 1987

‘It’s a period 60s film. You’re a dancer.’ ‘Got it. So you’ll need me to sing an 80s rock track for the soundtrack?’ ‘…fine.’ Patrick Swayze had so much confidence he could flirt with a metaphor better suited to flatulence and still score. Though with someone who was, technically and legally, a child.

[She’s a] Maniac, Michael Sembello, 1983

Most only use this to describe an ex, but Sembello ain’t afraid to switch shit around. ‘It can cut you like a knife, if the gift becomes the fire,’ he explains, which is as close a request for full penetrative sex as metaphors will allow. He all but suggests she leave her legwarmers on.

She’s a Lady, Tom Jones, 1971

Being able to identify a woman as sure-footedly as Tom Jones could was a massive turn-on for women in the early 70s, used to being taken for long-haired dope-smoking men by rednecks in pick-up trucks. It was a relief just not to be beaten for dodging the draft.

She’s Electric, Oasis, 1995

Total f**king nonsense with a tune borrowed from 1970s BBC show for pre-schoolers You and Me. Soon to be transfixing a stadium near you, leaving thousands weeping tears of lager.

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Oasis reunion marred by fratricide

OASIS’S first reunion gig has been praised by fans as the greatest concert they have ever attended, spoiled only by a minor fratricide late on. 

Attendees were delighted as rock’s original Cain and Abel ran through a blistering set of hits and favourites which had the whole stadium singing along until they turned on each other during the first encore.

Nathan Muir of Cwmbran said: “Well, I say the first encore. Obviously there wasn’t a second one.

“It had all gone so well. They’d been getting along like heavy-browed Neanderthals. But Noel was doing Talk Tonight, made a little joke and seconds later got whanged on the back of the head with a tambourine.

“That got him up, acoustic guitar wielded two-handed like a club, and next thing he’d smashed the very instrument he used to write The Masterplan over his own brother’s head.

“It escalated from there, the crowd cheering wildly as brother accused brother of ‘marding’, fought with instruments and the traditional plums, and by the end one was lying dead on the stage while the other muttered ‘F**king have that, you gobby twat,’ to the whole stadium.

“Which one’s dead? I don’t know, I was in the top tier, I could see bugger all.”