Labyrinth, and other kids' movies adults wang on about

LABYRINTH has hit 40, while the knobheads who endlessly quote it turned 40 quite some years ago. It, and these children’s films, are apparently impossible to get over: 

Shrek (2001)

Not that funny, because you forget long bits like Robin Hood and the Matrix parody, and kicked off a whole ‘what if fairytales, but irreverently adult’ movement which is still reverberating around culture today. Yes, it made you feel smirkingly sophisticated when you were ten. You’re not ten now and you’re not sophisticated either.

Labyrinth (1986) 

Had David Bowie in, far from the worst of his mid-80s career choices, but that doesn’t make it a good film. It’s got simultaneously too many and not enough Muppets in for that. And there should be signs above every student bar saying ‘The management reserves the right to eject anyone quoting the “you remind me of the babe” bit from Labyrinth’.

Toy Story 3 (2010) 

Yes, yes, it made the metaphor of children abandoning toys equating to children moving on from their parents unignorable. Yes, you cried when you watched it. You cry when you smash your head on a cupboard door, but that doesn’t make it an endlessly repeatable experience others need to hear about. Anyway the toys are fine, they’ve been in shit sequels.

The Dark Crystal (1982) 

Even Dark Crystal fans don’t like The Dark Crystal, not really. Otherwise when Netflix announced a multi-million dollar prequel series with an all-star cast back in 2019, they would have watched it. Instead they checked out an episode, silently admitted the puppets were stupid and the Skeksis voices irritating, switched off and it was cancelled.

My Neighbour Totoro (1988) 

The jumping-on point for a generation of weeaboos, it’s a lovely film with sumptuous animation but not a lot really happens, does it? Totoro is an occasional presence, the bit with the cat bus provides as much action as in The Snowman in a film three times the length, and it’s mainly about an ill mum. Not everybody you meet needs to watch this.

Bambi (1942) 

Traumatised a generation, apparently, though given it was the Boomers it’s odd they weren’t already traumatised by Dad coming home from Normandy shy a limb. Still fetishised today by the visually illiterate including Molly-Mae Hague, who named her daughter after it. Does she know what happens to Bambi’s mother? Don’t tell her.

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Entering text on telly still as primitive as in 1980s

NONE of the advances in technology of the last half-century have made it any easier to enter text via a remote control. 

A technological black hole means anyone attempting to search for a film or TV show has to enter it letter-by-letter as if they were putting their initials by a Space Invaders high score in 1980.

Jim Bates of Congleton said: “I tell speakers to play music and they do so. I type a destination into my car and it shows me how to get there. But on my TV?

“There’s no slick user interface. To find a movie on Netflix I have to mash down flimsy rubber buttons while it brightly suggests movies that are not what I want or close to it. All the others are the same.

“Even on the PlayStation, a controller with at least 30 different inputs demands I do it one letter at a time. Why does all pretence of being user-friendly stop at the telly? Why has it remained in the Ceefax era?

“Every site online’s always checking I’m not a sophisticated bot buying tickets or logging into my bank account. They should get these f**king bots working on the telly. Then maybe I could watch Insidious 5 without first having to look up how to spell it.”

Technology expert Jack Brown said: “Now most of our technological agency is given over to machines it’s important to have such instances of human independence, even though typing in Doctor Strange in the Multiverse of Madness gave me an embolism.”